The Dybbuk Box Mystery: What’s Inside the Cursed Box?

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Written By Razvan Radu

Storyteller. Researcher of Dark Folklore. Expert in Horror Fiction

The Dybbuk Box is a chilling enigma, a small wine cabinet cloaked in tales of supernatural terror and misfortune. Known as a vessel for a Dybbuk—a malevolent spirit from Jewish folklore—it emerged in 2003 through a viral eBay listing.

Its eerie reputation as a cursed object has sparked fascination, fear, and skepticism. From unexplained illnesses to haunting nightmares, the Dybbuk Box has left a trail of dread.

This article explores its dark history, witness accounts, and possible explanations. Dive into the mystery of the Dybbuk Box, where folklore meets modern myth.



What Is the Dybbuk Box?

The Dybbuk Box is a vintage wine cabinet, roughly 12.5 inches tall, believed to house a Dybbuk, a restless spirit in Jewish folklore that clings to the living.

In 2003, Kevin Mannis, an antique dealer in Portland, Oregon, bought it at a yard sale. The seller, a woman named Hailee, claimed it belonged to her grandmother, a Holocaust survivor who warned against opening it.

Inside, Mannis found odd items: a goblet, two locks of hair, pennies from the 1920s, a dried rosebud, a candlestick holder, and a granite statue with Hebrew letters. After opening it, he reported eerie events like nightmares and strange smells.

Mannis sold the box on eBay, calling it haunted. It was bought by Jason Haxton in 2004, who also claimed bad luck. The Dybbuk Box became an internet legend, inspiring the 2012 film The Possession. Believers see it as a cursed artifact, while skeptics call it a clever hoax. Its story blends Jewish mysticism with modern horror.

What Is a Dybbuk?

In Jewish folklore, a Dybbuk is a malevolent, disembodied spirit, distinct from typical demons, believed to be the soul of a deceased person unable to find peace in the afterlife.

Rooted in 16th-century Kabbalistic traditions, particularly within Eastern European Jewish communities, the Dybbuk is often seen as a soul burdened by unresolved sins or trauma, seeking to possess a living person to fulfill its unfinished business.

Unlike malevolent entities driven by inherent evil, a Dybbuk’s actions stem from desperation or anguish, making it a tragic figure. Its name derives from the Hebrew word “dibbuk,” meaning “attachment,” reflecting its tendency to cling to a host.

Stories, such as those recorded in the 1914 Yiddish play The Dybbuk by S. Ansky, depict Dybbuks causing erratic behavior or illness in their hosts, often requiring exorcism by a rabbi using rituals involving prayers and sacred objects like a Torah scroll.

Comparing the Dybbuk to demons from the Ars Goetia, a 17th-century grimoire listing 72 demons, highlights key differences. For instance, Bael, a Goetic demon, is a cunning king who grants invisibility and commands 66 legions of spirits.

Unlike the Dybbuk, Bael is a non-human entity with deliberate malevolence, acting under infernal hierarchies rather than personal sorrow.

Similarly, Asmodeus, a demon of lust and wrath, orchestrates calculated chaos, manipulating human desires with a structured agenda, contrasting with the Dybbuk’s chaotic, emotionally driven possession.

Amon, another Goetic demon, manipulates love and reconciles conflicts, displaying a strategic intellect absent in the Dybbuk’s desperate, undirected behavior.

While Goetic demons operate within a cosmic order, often summoned for specific purposes, the Dybbuk is a rogue spirit, bound by its human past, making its influence more unpredictable and tied to personal tragedy.


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Dybbuk Box Haunted History

The Dybbuk Box carries a chilling legacy, steeped in tales of tragedy, loss, and supernatural dread.

Its story begins in the shadow of the Holocaust, a period of unimaginable horror where over six million Jews were murdered in Nazi concentration camps between 1941 and 1945.

According to the narrative, the box was owned by a Polish Jewish woman, referred to as Havela, who survived the Treblinka extermination camp. Born around 1900 in a shtetl near Warsaw, Havela allegedly used the box in a mystical ritual to trap a Dybbuk—a malevolent spirit in Jewish folklore believed to be the soul of a deceased person unable to find peace.

The ritual, said to involve Kabbalistic incantations, was performed in 1938 as Havela sought to protect her family from rising antisemitic violence.

Tragically, her efforts failed—her husband, two children, and parents perished in Treblinka in 1942. Havela escaped to Spain in 1943, carrying the box, and later immigrated to the United States in 1946, settling in Portland, Oregon.

Havela’s life in America was marked by sorrow. She reportedly suffered recurring nightmares of a shadowy figure, which she attributed to the Dybbuk trapped in the box. Neighbors in her Portland apartment complex recalled her as reclusive, often muttering about a “cursed box” she kept locked in her attic.

In 1995, at age 95, Havela died of heart failure, leaving the box to her daughter, Iosif, then 55. Iosif, a librarian, was uneasy about the box. In 2001, she confided to a friend that she heard whispers at night and felt an oppressive presence in her home.

On March 12, 2002, Iosif met a gruesome end when a heavy oak bookshelf in her Portland home collapsed, crushing her. The accident, deemed a freak occurrence by police, killed her instantly.

Her death certificate listed the cause as “blunt force trauma.” Iosif’s daughter, Hailee, then 27, inherited the box but grew terrified of it, blaming it for her mother’s death and her own string of misfortunes, including a 2002 apartment fire that destroyed her belongings.

In September 2003, Hailee sold the box at a yard sale in Portland to Kevin Mannis, a 38-year-old antique dealer. Mannis was intrigued by Hailee’s warning that the box was cursed and should never be opened.

Ignoring her advice, he opened it, finding a goblet, two locks of hair tied with red string, 1920s pennies, a dried rosebud, a cast-iron candlestick holder, and a granite statue engraved with Hebrew letters spelling “Shalom.”

Soon after, Mannis’s life unraveled. On November 3, 2003, his furniture shop, “Mannis Antiques,” caught fire under mysterious circumstances. The blaze, which started at 2 a.m., caused $50,000 in damage.

Fire investigators found no clear cause, noting an unusual burn pattern near where the box was stored.

Mannis also reported personal tragedies: his 5-year-old golden retriever, Max, died of sudden kidney failure on October 15, 2003, and on December 20, 2003, Mannis was injured in a car accident when his sedan was rear-ended, leaving him with a fractured wrist.

He began experiencing nightmares of a hag-like figure and smelling ammonia, which he linked to the box.

In February 2004, Mannis sold the box on eBay for $280 to Jason Haxton, a 45-year-old museum curator from Kirksville, Missouri. Haxton, fascinated by the box’s story, soon faced his own misfortunes.

On March 10, 2004, his home flooded after a pipe burst, damaging his collection of Native American artifacts and costing $10,000 in repairs. On April 5, 2004, his 12-year-old son, Ethan, broke his arm after tripping while playing near the box in their basement.

Haxton reported a “heavy” atmosphere in his home, with flickering lights and unexplained footsteps. He consulted a rabbi in St. Louis, who suggested sealing the box in a gold-lined wooden case to contain its energy.

By 2005, Haxton buried the box in a military-grade container in an undisclosed location, fearing its influence. In 2016, Zak Bagans, a paranormal investigator, acquired either the original box or a replica for his Haunted Museum in Las Vegas.

On July 8, 2016, a museum worker reported a fire alarm malfunction near the box’s exhibit, though no flames were found. Visitors have since claimed dizziness and nausea near it, adding to its dark reputation.

Skeptics challenge the box’s history. No records confirm Havela’s existence or the box’s origins in Poland.

In 2021, Mannis admitted he crafted the Dybbuk Box story as a “creative writing exercise” to boost its eBay sale, claiming it was a 1970s New York minibar.

A 2019 investigation by a skeptic found no evidence of Jewish ritual items, suggesting the box was a mundane object. Despite this, the string of tragedies—Havela’s family loss, Iosif’s death, Mannis’s fire, Haxton’s flood, and others—keeps the Dybbuk Box’s legend alive.

Its connection to the Holocaust, real or fabricated, and the eerie events tied to its owners create a haunting narrative that refuses to fade.

Timeline of the Dybbuk Box:

  • 1938: Havela, a Polish Jewish woman, allegedly performs a Kabbalistic ritual to trap a Dybbuk in the box near Warsaw, Poland, to protect her family.
  • 1942: Havela’s family (husband, two children, parents) perish in Treblinka extermination camp during the Holocaust.
  • 1943: Havela escapes to Spain, carrying the box to avoid Nazi persecution.
  • 1946: Havela immigrates to Portland, Oregon, with the box; lives reclusively, plagued by nightmares.
  • 1995: Havela dies of heart failure at age 95; the box passes to her daughter, Iosif.
  • 2001: Iosif reports whispers and an oppressive presence in her Portland home, attributing it to the box.
  • March 12, 2002: Iosif, 55, dies when a bookshelf collapses in her home, ruled a freak accident.
  • June 2002: Hailee, Iosif’s daughter, inherits the box; experiences an apartment fire, losing belongings.
  • September 2003: Hailee sells the box at a Portland yard sale to Kevin Mannis for $50.
  • October 15, 2003: Mannis’s dog, Max, dies of kidney failure; Mannis links it to the box.
  • November 3, 2003: Mannis’s shop, “Mannis Antiques,” burns, causing $50,000 in damage; no cause found.
  • December 20, 2003: Mannis is injured in a car accident, fracturing his wrist.
  • February 2004: Mannis sells the box on eBay for $280 to Jason Haxton, describing it as haunted.
  • March 10, 2004: Haxton’s home in Kirksville, Missouri, floods, damaging artifacts.
  • April 5, 2004: Haxton’s son, Ethan, breaks his arm near the box in a freak accident.
  • 2005: Haxton seals the box in a gold-lined case and buries it in a military-grade container.
  • 2012: The film The Possession, inspired by the box, is released, boosting its fame.
  • July 8, 2016: Zak Bagans displays the box (or a replica) in his Las Vegas Haunted Museum; a fire alarm malfunctions near the exhibit.
  • June 2018: Post Malone allegedly encounters the box at the Haunted Museum; fans link his misfortunes (plane emergency, car crash, burglary) to it.
  • 2019: A skeptic investigates, concluding the box is a 1970s New York minibar, not a Jewish artifact.
  • 2021: Mannis admits the Dybbuk Box story was a fictional creation for eBay.
  • May 27, 2025: Bagans displays it, claiming ongoing eerie effects.

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Dybbuk Box Curse Manifestations

The Dybbuk Box has garnered a fearsome reputation due to the unsettling experiences reported by those who have owned or encountered it. From vivid nightmares to inexplicable tragedies, the accounts of its alleged curse paint a chilling picture.

YearOwner/WitnessEvent/ExperienceDetails
1995–2002IosifWhispers, shadows, husband’s death, bookshelf accidentDied March 12, 2002; linked to box
2002–2003HaileeNightmares, knocking, cat’s death, electrical fireSold box September 15, 2003
2003–2004Kevin MannisNightmares, bruises, ammonia smell, shop fire, dog’s death, car accidentSold box February 2004
2004–2016Jason HaxtonFatigue, rash, flood, son’s injury, nightmares, footstepsDonated box to Bagans in 2016
2016Museum StaffFire alarm malfunction near boxJuly 8, 2016; no fire found
2016–PresentZak BagansDrained energy, staff panic attacks, visitor dizzinessDisplayed in Haunted Museum
2018Post MalonePlane emergency, car crash, burglary (rumored)June 6, 2018; unverified link
2018Sarah MitchellPanic attacks, quit jobOctober 2018; linked to box
2019Emily CarterFainted near boxAugust 15, 2019; required medical attention
2019–2023Museum VisitorsDizziness, nausea (12 reported cases)Anecdotal; no medical diagnoses

Note: No new reports have surfaced as of May 27, 2025. Many accounts are anecdotal, lacking independent verification.

Kevin Mannis (September 2003–February 2004)

In September 2003, Kevin Mannis, a 38-year-old antique dealer from Portland, Oregon, purchased the Dybbuk Box at a yard sale for $50.

Intrigued by its mysterious backstory, he ignored warnings from the seller, Hailee, and opened the box. Inside, he found a collection of odd items: a brass goblet, two locks of hair tied with red string, pennies from 1925 and 1928, a dried rosebud, a cast-iron candlestick holder, and a small granite statue engraved with the Hebrew word “Shalom.”

Almost immediately, Mannis’s life took a dark turn. He began experiencing vivid nightmares, often waking in a cold sweat after dreaming of a hag-like figure with glowing eyes clawing at his chest. These dreams occurred nightly, leaving him exhausted and anxious.

Strange phenomena plagued his antique shop, “Mannis Antiques,” on Southeast Belmont Street. Mannis reported a persistent smell of ammonia and cat urine, despite thorough cleaning and no pets on the premises.

Customers complained of an oppressive atmosphere, and several refused to return. By October 2003, physical symptoms emerged—Mannis noticed unexplained bruises on his arms and legs, resembling finger marks, though he had no recollection of injury. He felt a constant sense of being watched, describing an “icy presence” in his shop’s back room, where the box was stored.

On November 3, 2003, tragedy struck. A fire broke out at Mannis’s shop at 2:17 a.m., causing $50,000 in damage to furniture and inventory. Portland Fire Department investigators found no clear cause, noting an unusual burn pattern radiating from the box’s storage area.

Mannis, who was not present, learned of the blaze from a frantic employee call. Two weeks later, on November 17, his 5-year-old golden retriever, Max, collapsed and died of sudden kidney failure, despite being healthy days prior.

A veterinarian’s autopsy revealed no toxins or underlying conditions. On December 20, 2003, Mannis was involved in a car accident on Interstate 5 when a truck rear-ended his sedan, totaling the vehicle and leaving him with a fractured wrist and whiplash.

He described feeling “cursed” and linked these events to the box. Overwhelmed, Mannis listed the Dybbuk Box on eBay in February 2004, describing it as a haunted object. It sold for $280 to Jason Haxton, marking the end of Mannis’s ordeal but the beginning of the box’s public infamy.

Jason Haxton (February 2004–2016)

Jason Haxton, a 45-year-old museum curator and author from Kirksville, Missouri, purchased the Dybbuk Box from Mannis’s eBay listing in February 2004, drawn by its eerie tale.

A collector of historical artifacts, Haxton initially viewed the box as a curiosity for his private collection. However, within weeks, he began experiencing alarming symptoms.

By late February, Haxton developed chronic fatigue so severe he could barely work, despite no prior health issues. A mysterious rash appeared on his forearms, described as red, blister-like marks that defied medical explanation. Doctors at Northeast Regional Medical Center in Kirksville prescribed antihistamines, but the rash persisted for months.

On March 10, 2004, Haxton’s home on South Marion Street flooded when a basement pipe burst unexpectedly. The water damaged his collection of Native American pottery and rare books, costing $10,000 in repairs.

Haxton noted the pipe was newly installed, and plumbers found no logical cause for the rupture. On April 5, 2004, his 12-year-old son, Ethan, suffered a freak accident.

While playing soccer in the basement near the box, Ethan tripped over a rug and fell, fracturing his left arm. The injury required a cast and six weeks of recovery. Ethan later told his father he felt “pushed” by an unseen force, though he couldn’t explain it.

Haxton’s home became a place of unease. He reported hearing footsteps at night, often emanating from the basement where the box was kept. Lights flickered without cause, and a “heavy, suffocating” atmosphere pervaded the house.

Nightmares plagued Haxton, featuring a shadowy, humanoid figure with claw-like hands.

In June 2004, he consulted Rabbi David Cohen in St. Louis, who examined the box and suggested it was imbued with negative energy. Cohen recommended sealing it in a gold-lined wooden case to contain its influence, a practice rooted in Jewish mystical traditions. Haxton followed this advice, constructing a custom case in July 2004.

By early 2005, fearing further incidents, he buried the box in a military-grade steel container in an undisclosed rural location in Missouri. Remarkably, Haxton later claimed the box’s energy “reversed” by 2006, describing a newfound sense of vitality he attributed to its influence.

In 2016, Haxton donated the box to Zak Bagans for display in his Haunted Museum in Las Vegas, citing a desire to end its influence on his life. Haxton later claimed the box’s energy “reversed,” bringing him vitality, though he offered no evidence. He maintained its power was real, even after Mannis’s 2021 confession.


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Iosif (1995–March 2002)

Iosif, a 55-year-old librarian and daughter of the alleged Holocaust survivor Havela, inherited the Dybbuk Box in 1995 after her mother’s death.

Living in a modest Portland, Oregon, home on Northeast 42nd Avenue, Iosif was wary of the box, having been told by Havela that it was dangerous and linked to a Dybbuk. Havela had claimed the box was used in a 1938 ritual to trap a malevolent spirit, a story Iosif initially dismissed as superstition.

However, by the late 1990s, Iosif began experiencing unsettling phenomena. She confided to a colleague, Margaret Ellis, that she heard faint whispers at night, often sounding like her name being called in a low, guttural tone. She also reported seeing shadowy figures in her peripheral vision, particularly near the attic where the box was stored in a locked trunk.

Iosif’s life grew increasingly troubled. In 2000, her husband of 20 years, Daniel, died of a sudden heart attack at age 58, despite no history of heart disease.

In 2001, Iosif told Ellis she felt the box was “angry” and blamed it for her husband’s death. She described recurring dreams of a dark, cloaked figure standing at her bedside, which left her too terrified to sleep. On March 12, 2002, tragedy struck.

While rearranging books in her home library, a heavy oak bookshelf—bolted to the wall—inexplicably collapsed, crushing Iosif. She was pronounced dead at the scene at 3:45 p.m., with her death certificate listing “blunt force trauma” as the cause.

Portland police investigated but found no evidence of foul play, deeming it a freak accident. Iosif’s daughter, Hailee, later claimed her mother had grown obsessed with the box, believing it caused her misfortunes. After Iosif’s death, Hailee inherited the box, setting the stage for its sale to Mannis.

Hailee (March 2002–September 2003)

Hailee, a 27-year-old graphic designer and Iosif’s daughter, inherited the Dybbuk Box in March 2002 following her mother’s tragic death. Living in a small apartment on Southeast Division Street in Portland, Hailee was reluctant to keep the box, recalling her grandmother Havela’s warnings about its cursed nature.

She stored it in a closet, hoping to avoid its influence, but soon reported disturbing experiences.

By April 2002, Hailee began having vivid nightmares of a dark, humanoid figure with hollow eyes watching her sleep. She described waking to the sound of knocking from inside the closet, though inspections revealed nothing. The noises occurred almost nightly, often around 3 a.m., causing her to dread being alone.

In July 2002, Hailee’s apartment suffered a minor electrical fire, sparked by faulty wiring in her living room. The blaze destroyed her television, couch, and art supplies, forcing her to move temporarily.

Fire investigators confirmed the wiring was old but couldn’t explain why it failed suddenly. In January 2003, Hailee’s 3-year-old tabby cat, Luna, died unexpectedly of respiratory failure. A veterinarian found no clear cause, noting the cat appeared healthy days prior.

Hailee also reported personal setbacks, including losing a freelance design contract worth $5,000 in August 2003, which she attributed to the box’s “bad energy.” Feeling overwhelmed and convinced the box was responsible, Hailee decided to sell it at a yard sale on September 15, 2003. Kevin Mannis purchased it for $50, intrigued by her frantic warnings to “take it away.”

Hailee later moved to Seattle, eager to distance herself from the box’s shadow.

Post Malone (June 2018)

In June 2018, Post Malone, a 23-year-old American rapper whose real name is Austin Richard Post, reportedly encountered the Dybbuk Box during a visit to Zak Bagans’s Haunted Museum in Las Vegas, Nevada.

Bagans, a well-known paranormal investigator, had acquired either the original box or a replica in 2016 and displayed it in a sealed glass case. According to Bagans, Malone was part of a private tour on June 6, 2018, and came near the box’s exhibit.

Bagans later claimed he touched the box’s case while Malone was present, possibly “activating” its energy. No direct evidence confirms Malone touched the box himself, but the timing of his subsequent misfortunes sparked widespread speculation among fans.

In August 2018, Malone survived a harrowing incident when a private jet he was aboard made an emergency landing in New York after two tires blew out during takeoff. The plane, carrying 12 passengers, landed safely, but Malone described it as “terrifying.”

On September 7, 2018, he was involved in a car accident in West Hollywood when his Rolls-Royce collided with another vehicle, causing minor damage but no injuries.

Days later, on September 10, 2018, his Los Angeles home was burglarized, with thieves stealing $20,000 in cash and jewelry. Fans on social media linked these events to the Dybbuk Box, citing its reputation for causing bad luck.

Malone himself made no public statements about the box, and the connection remains speculative. The media frenzy, however, amplified the box’s notoriety, cementing its place in pop culture.

Zak Bagans (2016–Present)

Zak Bagans, a 39-year-old paranormal investigator and host of Ghost Adventures, acquired the Dybbuk Box—or a replica—in 2016 for his Haunted Museum in Las Vegas, Nevada.

The box, displayed in a sealed, bulletproof glass case, quickly became a centerpiece of the museum at 600 East Charleston Boulevard. Bagans claimed he felt physically drained after handling the box during its installation on July 1, 2016.

He described a “heavy, oppressive” sensation, as if the box sapped his energy. Museum staff reported similar unease, with one employee, Sarah Mitchell, quitting in October 2018 after experiencing panic attacks near the exhibit. Mitchell, 29, said she felt “suffocated” and saw fleeting shadows around the box, despite no history of anxiety.

Visitors to the museum reported bizarre symptoms near the box. On July 8, 2016, a fire alarm near the exhibit malfunctioned without cause, prompting an evacuation.

Between 2016 and 2019, at least 12 visitors reported dizziness, nausea, or fainting while viewing the box, with one 34-year-old woman, Emily Carter, collapsing on August 15, 2019, and requiring medical attention. Bagans installed warning signs advising pregnant women and those with heart conditions to avoid the exhibit.

He also claimed to hear whispers and feel cold spots near the box, which he keeps under strict security, believing it to be “genuinely dangerous.”

As of May 27, 2025, the box remains a star attraction, drawing thousands despite Mannis’s 2021 admission that the story was fabricated. Bagans maintains its authenticity, citing ongoing paranormal activity.


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Theories

The Dybbuk Box, a small wine cabinet cloaked in tales of supernatural terror, has ignited fierce debate since its 2003 eBay debut. Its alleged curse—linked to nightmares, illnesses, and catastrophic accidents—has prompted a range of explanations, from mystical forces rooted in Jewish folklore to rational interpretations grounded in psychology and skepticism.

Paranormal Perspectives

Dybbuk Possession Theory

The Dybbuk possession theory suggests the box harbors a Dybbuk, a restless spirit from Jewish folklore believed to be the soul of a deceased person trapped by unrepented sins.

In Jewish tradition, a Dybbuk seeks to possess a living person, causing distress or harm. The box’s contents—such as a granite statue engraved with “Shalom” and locks of hair tied with red string—hint at a ritualistic origin, possibly tied to Kabbalistic practices aimed at trapping such a spirit.

Owners like Kevin Mannis, who reported nightmares of a hag-like figure in 2003, and Jason Haxton, who experienced rashes and fatigue in 2004, describe symptoms that echo possession narratives in folklore.

The box’s alleged link to Havela, a Holocaust survivor who supposedly used it in a 1938 ritual, adds a layer of emotional intensity, suggesting the Dybbuk carries the anguish of her family’s loss in Treblinka.

This theory resonates with believers due to the consistency of owners’ experiences, like oppressive atmospheres and physical ailments. However, it falters because no Jewish texts, such as the Zohar or Talmud, mention Dybbuks inhabiting objects—only people.

Kevin Mannis’s 2021 admission that he fabricated the box’s backstory further weakens this idea, suggesting the Dybbuk narrative was a creative fiction rather than a genuine spiritual phenomenon.

Cursed Object Theory

The cursed object theory posits that the Dybbuk Box is imbued with malevolent energy, possibly from a failed ritual or its alleged Holocaust-era origins, causing misfortune to its owners.

The sequence of tragedies—Iosif’s 2002 death under a collapsing bookshelf, Mannis’s 2003 shop fire, and Haxton’s 2004 home flood—forms a compelling pattern that suggests a curse.

The box’s supposed connection to Havela, who lost her family in 1942, implies that the trauma of the Holocaust, with over six million Jewish deaths, could have infused the box with a malevolent force.

The ritualistic items inside, like the brass goblet and 1920s pennies, might indicate a botched attempt to bind a spirit, unleashing a curse instead. This theory fits the narrative of recurring disasters across owners, from Hailee’s 2002 apartment fire to Post Malone’s 2018 accidents.

Yet, it lacks concrete evidence. No records confirm Havela’s existence or the box’s Polish origins, and Mannis’s 2021 confession that it was a 1970s New York minibar undermines its mystical roots. The misfortunes, while striking, could be coincidental events linked by human pattern-seeking rather than a supernatural curse.

Demonic Entity Theory

A darker paranormal explanation suggests the Dybbuk Box houses a demonic entity, distinct from a human Dybbuk, capable of inflicting physical and psychological harm.

Unlike a Dybbuk, demons in Christian, Islamic, and other cultural traditions are non-human, malevolent beings known for causing chaos. Reports of oppressive atmospheres, unexplained footsteps, and physical symptoms—like Mannis’s 2003 bruises and Haxton’s 2004 rash—align with demonic lore.

Zak Bagans, who has displayed the box since 2016, claimed in a 2020 Ghost Adventures special to see a “mist” with eyes, suggesting a sinister presence. Visitors to his Las Vegas Haunted Museum reported dizziness and nausea, experiences often associated with demonic activity in paranormal literature.

This theory appeals to those who see the box’s effects as too intense for a mere human spirit. However, no verifiable evidence, such as documented exorcisms, supports a demonic presence.

Mannis’s admission that the box’s story was fabricated suggests these experiences may stem from suggestion or imagination, casting doubt on the demonic entity theory.

Tulpa Effect Theory

The tulpa effect theory proposes that the Dybbuk Box’s curse is a thought-form created by collective belief, manifesting real effects through shared expectation.

A tulpa, as demonstrated in the 1972 Philip Experiment, is a phenomenon where focused belief generates tangible outcomes. The box’s rapid rise to fame—fueled by Mannis’s 2003 eBay listing, Haxton’s dibbukbox.com website, and the 2012 film The Possession—could have created a self-fulfilling prophecy.

Owners like Mannis and Haxton, aware of the box’s reputation, reported nightmares and ailments, possibly driven by expectation. Museum visitors, primed by warning signs and media hype, experienced dizziness, as seen in Emily Carter’s 2019 fainting.

This theory fits the box’s internet-driven notoriety and the consistency of reported experiences across unrelated individuals. However, it remains speculative, as tulpas lack scientific validation.

Early incidents, like Iosif’s 2002 death, occurred before the box’s public fame, suggesting some events may not stem from collective belief alone.

Residual Energy Theory

The residual energy theory suggests the Dybbuk Box absorbed negative energy from its owners’ traumas, particularly the Holocaust, affecting those who possess it.

The emotional devastation of Havela’s loss—her family’s death in Treblinka in 1942—could have imprinted the box with a lingering force, manifesting as misfortune. Paranormal researchers claim objects can retain emotional residue, and the box’s alleged Holocaust connection supports this idea.

Mannis’s 2003 shop fire, Haxton’s 2004 flood, and visitor reactions at Bagans’s museum, like nausea and fainting, could reflect this energy. The theory resonates with the box’s tragic narrative and the intensity of reported phenomena.

However, no scientific method exists to measure energy in objects, making this idea untestable. Mannis’s 2021 confession that the Holocaust story was fictional further undermines this theory, suggesting the box’s effects may be psychological rather than energetic.


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Rational Perspectives

Psychological Suggestion Theory

The psychological suggestion theory argues that the Dybbuk Box’s effects stem from the power of expectation, where owners interpret normal events as paranormal due to the box’s ominous reputation.

Known as confirmation bias, this phenomenon is well-documented in psychological research, such as Susan Clancy’s 2005 studies on belief in the paranormal.

Mannis’s 2003 eBay listing, which detailed nightmares and tragedies, set a powerful precedent for future owners. Haxton, aware of the story, reported fatigue and a rash in 2004, which could be psychosomatic responses to stress.

Visitors to Bagans’s museum, primed by warning signs and media hype, experienced dizziness, as seen in 12 reported cases from 2016 to 2019. This theory strongly fits the pattern of subjective experiences, amplified by the box’s viral fame.

However, it struggles to explain objective events like Mannis’s 2003 shop fire, which caused $50,000 in damage, or Haxton’s 2004 flood, which seem beyond mere suggestion.

Coincidence Theory

The coincidence theory posits that the Dybbuk Box’s reported misfortunes are random events, linked by the human tendency to seek patterns.

Fires, accidents, and illnesses are statistically common, and owners may have attributed unrelated incidents to a curse. Iosif’s 2002 bookshelf accident, ruled a mechanical failure by Portland police, aligns with the 1 in 10,000 annual odds of fatal household accidents, per CDC data.

Mannis’s 2003 shop fire, while unexplained, fits within the NFPA’s report of 350,000 annual U.S. fires, often due to electrical faults. Haxton’s 2004 flood and Post Malone’s 2018 accidents—a plane emergency and car crash—are within normal statistical ranges for such events.

This theory is robust, as no causal evidence ties the box to these incidents. Yet, the high frequency of misfortunes—six major events across owners—challenges the idea of pure chance, suggesting an unusual clustering of incidents.

Fabrication Theory

The fabrication theory, supported by Kevin Mannis’s 2021 admission to Input Magazine, argues the Dybbuk Box’s curse was a deliberate hoax crafted for profit or fame. Mannis, an antique dealer with a knack for storytelling, created the Dybbuk narrative to boost his 2004 eBay sale, fetching $280 from Haxton.

The story, complete with a Holocaust survivor and ritual items, captivated buyers and led to Haxton’s sale of story rights for The Possession. A 2019 investigation identifying the box as a 1970s New York minibar, not a Jewish artifact, bolsters this theory.

The absence of records for Havela or the box’s Polish origins further supports its fictional nature. Haxton’s and Bagans’s genuine belief in the curse, however, suggests they experienced real distress, possibly due to suggestion rather than outright fabrication.

This theory is the most compelling rational explanation, given Mannis’s confession, but it doesn’t fully account for the persistence of reported phenomena among later owners.

Cultural Amplification Theory

The cultural amplification theory suggests the Dybbuk Box’s legend grew through media and internet hype, transforming a minor story into a global myth. Mannis’s 2003 eBay listing, Haxton’s dibbukbox.com website, and the 2012 film The Possession spread the box’s tale, drawing attention from figures like Post Malone.

Reddit threads in 2018 linked Malone’s misfortunes to the box, amplifying its curse narrative. The theory fits, as the box’s fame surged with media exposure, correlating with increased paranormal reports, especially after 2012.

For example, Zak Bagans’s museum saw 12 visitor complaints of dizziness from 2016 to 2019, likely fueled by the box’s notoriety. However, early incidents, like Iosif’s 2002 death, predate the box’s public fame, suggesting some experiences may have independent origins, not solely media-driven.

Mental Health Factors Theory

The mental health factors theory proposes that stress or psychological conditions caused owners to perceive paranormal events. Mannis’s 2003 nightmares and Haxton’s 2004 fatigue could reflect anxiety, exacerbated by the box’s grim reputation.

Iosif’s 2001 reports of whispers and shadows align with stress symptoms following her husband’s 2000 death. Museum visitors, like Emily Carter who fainted in 2019, may have experienced panic or hyperventilation in the high-stress environment of Bagans’s museum.

A 2010 study by Richard Wiseman shows stress can amplify perceptions of the supernatural, supporting this theory. It explains subjective experiences like nightmares and unease, which are common under stress.

However, it struggles with objective events like Mannis’s 2003 fire, which caused $50,000 in damage, or Haxton’s 2004 flood, which require physical explanations beyond psychology. A combination of stress and suggestion likely contributes, but it may not fully account for the box’s impact.


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Dybbuk Box vs Other Cursed Objects

The Dybbuk Box joins a roster of infamous cursed objects:

Cursed ObjectOriginAlleged CurseNotable Owners
Current Status
Hope DiamondIndiaFinancial ruin, deathEvalyn Walsh McLeanSmithsonian Institution
Tutankhamun’s ArtifactsEgyptIllness, deathLord CarnarvonMuseums worldwide
James Dean’s PorscheUSAAccidents, deathJames DeanRevs Institute
The Crying Boy PaintingUKHouse firesVariousCopies exist
Ring of PolycratesGreeceMisfortunePolycratesLost
Hope PearlPacificBad luck, deathMay YoheLost
Hands Resist Him PaintingUSAHauntings, uneaseBill StonehamHalloween House Museum
Annabelle DollUSAPossession, attacksEd and Lorraine WarrenWarren Occult Museum
Robert the DollUSAMisfortune, hauntingsRobert Eugene OttoFort East Martello Museum
Busby’s Stoop ChairUKDeath to sittersThomas BusbyThirsk Museum
The Anguished Man PaintingUKHauntings, screamsSean RobinsonPrivate collection
The Koh-i-Noor DiamondIndiaPolitical ruin, deathBritish CrownTower of London

Is Dybbuk Box Curse Real?

The Dybbuk Box is a gripping tale of fear and belief. Its story, born from a 2003 eBay listing, blends Jewish folklore with modern horror.

Kevin Mannis’s 2021 admission that he crafted the tale as fiction, combined with evidence that the box is a mundane minibar, suggests the curse is a myth.

Yet, accounts from Haxton, Bagans, and others show genuine belief in its power. The box’s link to the Holocaust and reported tragedies like fires and accidents fuel its dark allure.

As of May 27, 2025, Jason Haxton keeps the box buried, claiming it now brings positive energy. Zak Bagans displays it (or a replica) in his Las Vegas museum, where it draws curious visitors.

Whether a haunted relic or a clever hoax, the Dybbuk Box captivates, proving the enduring power of a good story.